Up until Now.. The journey from beginner to full time art career.

I'm so excited to reveal that I have published a lovely little book documenting my journey from the beginning.  

I know there are other artists out there who are up against the self-doubt and worry that I have been up against in the past.  What I have learned along the way I suspect is going to be really valuable for others.  

This 20 page book is filled with my art, stories, champions, and inspiration.  

If you would like more information you can click the link below.  

Click here.

Beginning can be so challenging.  Have you even noticed when you start something new, challenge yourself, that your negative/judgemental self comes along with you.  

I know why this is... we don't have enough evidence to combat the negative chatter. 

Unfortunately, the only way to gather evidence is to keep practicing.  To build up a body of attempts that you can compare or maybe not compare but rather take pride in the number of times you have shown up to try. 

The one thing I know for sure is that the self doubting part of us is not something that is going to go away.  However, when we practice we relax into the tangible evidence that we have collected.

There is a real sense of accomplishment and pride.  Whatever you are showing up for.  I used to love running because if you ran a 5 km race that is hard evidence of what you have accomplished.  It's undeniable proof.  Painting, for me, is the same thing.  

When I look around my colourful studio, while doubt is sitting with me at the easel, I have all the proof to contradict what doubt is wanting me to believe. 

What are you showing up for consistently?  Do you feel a sense of pride for that commitment?  Perhaps you haven't considered that, up until now. 

I'd love to hear your thoughts.  Leave me a comment below. 

Better yet, join my V.I.P. email list and I'll give you early access and sneak peeks at what I'm working on. 

​Here's the link to do that.  

As many creatives can attest, the journey to their art practice is often not linear.  In fact, many, including myself, have been faced with negativity, harsh criticism, critiques that were not helpful and yet there was still the desire to continue. 

Where does that come from? 

God/Spirit/Divine/Universe.... I don't really know.  All I know is that when I don't make room for my creativity I am not well.  and I mean that quite literally.  I am not myself if I am not following my inspiration and creative urges. 

Not to self: Your creativity is non-negotiable. 

Part of my journey has certainly been filled with desire and push back while other aspects have included comparison to other and others comparing to me.  All these situations have slowed me down or stopped me from creating. 

Inevitably I come to my senses and return to my creativity.  I've been blessed to have a couple of mentors who saw potential and believed in me when I wasn't able to do that for myself. 

In reflecting on my journey, I suspect that I could possibly be that mentor for someone else.  To believe in another creative enough that are willing to start creating again, or start period. 

One of the ways I intend to do that is with my first art compilation.  It's a small book sharing some stories, images and inspiration.  

This is the editing copy and will be available for purchase very shortly. 

Leave a comment and share some of your creative successes or detours. 

In the 1600's tulips were said to cost 10 times a working man's salary in the Netherlands, making them more costly than some houses.  

Very interesting. 

I went digging a bit further to find that tulips did not originate in the Netherlands even though they are the largest producer of tulips.  

The tulip originated in Persia and Turkey and were likely transported to the Netherlands during early trade relations.  The tulip played an important role in the culture and art of Turkey and Persia, including being worn tucked into the turbans. And the name tulip derives from the Persia word for turban. 

Once back in the Netherlands, tulip frenzy hit, crashing markets in the 17th Century.  

There are over 150 species of tulips with over 3,000 different varieties. Here are a few. 

I'm finishing up my current series which focuses entirely on tulips.  If you would like to be notified when the collection is released, then leave me your contact details by clicking on the link below.  You will be added to my V.I.P. email list and your will receive sneak peaks and early bird access to new works. Click here to join the V.I.P. List. 

Here's a sneak peak and teaser. 

This is my first..... ever painting course using the images that I love to paint.  I was surprised to find that others want to learn to paint like this.  Well, I guess, I'm not surprised about that as much as I'm surprised that I can share my process and effectively teach others to do this work. 

I find it really easy, the process of it.  The interpretation of the images and creating the likeness on the canvas is a little more difficult.  

The interpretation really comes down to seeing accurately.  Can we see the details that comprise the various shapes of the specific flower.  Mother Nature is amazing because each variety of flower has a different shape and characteristic.  I love that.  The ruffles of the peony versus the cup shaped petals of the tulip.  So different.  The light falls differently on these various shapes which makes it a challenge to render. 

The other part of painting this way is the mindset work that is necessary.  Already my student commented that she stopped herself from putting a mark on the canvas because she didn't know what to do.  She was afraid to make a mistake.  Where else in our lives do we stop ourselves from making a move for fear of making a mistake? 

The good news is that we really can't make a mistake, in painting, or in life.  We can always repaint the section that is not working, and we can always make a new decision in life.  

I'm so inspired by the work that is being accomplished in my first painting class that I'm preparing to put together my next class.  It is called Sunlit Gold.  This is the image that we will be painting. 

If you would like more information about this upcoming class then leave me your details below and I'll be sure to message you once I have the dates ironed out. 

2020 has been a year full of surprises.  Many things have occurred that we never imagined.  One response can be to coil up and protect ourselves.  There is nothing wrong with that, and it is a reflex to circumstances. Whenever I have been in reflex mode, I am no longer in creation mode. 

Creating my experience by being very intentional, is beneficial, and feels so much better.

Creating for me is about delight.  When I'm in delight I am more generous, I have more compassion, I'm less reactive and more conscious in my choices.   

Delight, by definition is great pleasure.  What happens when we put our focus on delight?  Can we allow ourselves to have great pleasure?  

These are great questions and delight is often more difficult to allow than the discontent that is right at the end of our fingertips.  Delight opens up the door for more possibilities simply because we are open to new ideas.  

Here's one idea that I've been working on recently. 

What is one idea that delights you that you tend to disregard and set aside? 

Could I invite you to pull that idea out and explore allowing yourself to have it? 

I have often heard things like: " that's over the top... too decadent... selfish...excessive."  Really?  Really? Just imagine for a minute you allowed yourself to have what you really want.  No compromise.  Now this could be something small or something large.  It could even be a decadent day off, or a solo trip somewhere.  

What would be different for you, if you allowed yourself to have what you want?  

In creating this latest painting I'm inviting you into an image that feels really decadent to me, and I'm also inviting you to considering buying something that feels decadent for you.  Liberating that desire, liberates your energy, opens the door to more possibilities, and meets your own personal needs.  Guess what happens when you meet your own needs?  You are more available to be a support to those around us.  

Self care first - always. 

Our communities need us at our best and being at our best is about allowing ourselves to have the things that we desire.  

I'd love to hear your reflections.  Leave me a comment below.  

Great question.  Finding beauty where we are is an important aspect, for me, to living well.  Yesterday on my evening walk with my husband and our dogs I captured these images of flowers.  These were all within a 15 minute walk of my home.  

I think one thing becomes clear, when you look at this group, is that I have a particular way of framing what I capture and that translates directly on to the canvas. I think subconsciously I try to pick out what I think is important about each flower and highlight that. I'm not always interested in showing the whole flower or the surrounding foliage if it means I have to divert attention from the focal point. In other cases, the entire flower is necessary.  Such as the white rose.  Oh my!  This rose is 8 inches across.  Absolutely spectacular.  

The other thing that may not be as clear is that I default to the sunny side of life.  Seeing the brightness versus the darkness.  In some cases there is a highlight of radiance, in others it is a myriad of folds that attracts me. 

This is the wonderful thing about artistic expression.  There is no wrong answer.  Whatever we see and what we choose to capture is our prerogative.  

Do you consider yourself creative?  What things do you enjoy to create?  Have you ever discredited your creativity for what you have captured?  I'd love to hear your thoughts. The comment box is below, just drop it in there. 

P.S. I let me email list recipients know about new blog posts and sneak peeks into the studio.  The path to that list is through the button below.  Come on in.  

When we were learning to write in school, we learned vocabulary, sentence structure and punctuation.  These are the foundational blocks of writing.  Once we mastered these, we went on to learn paragraph development, story arc and how to shape the scenes and character to capture the mood we are trying to convey.  

These very same structures exist in painting.  Mark making, mixing of paint, framing the image, extraneous details etc.  

Both these forms, writing and art, boil down to self expression.  How do we express ourselves?  Which elements do we feel are important in our story/image? The artistic license gets to decide how we express ourselves. 

However, the biggest challenge is allowing ourselves to express what we want.  The hardest part is that we don't always get it 'right' so we can judge ourselves pre-maturely on the form of our expression.  Once we learn that the early judgement is simply our monkey mind then we can decide to press on, get curious and figure out which mark or phrase does express what we are thinking. 

If you speak to any writer they will tell you that the first draft will likely not be the last.  It is simply the starting point.  There will be refinement, editing, and paring down the subject into its essential parts in order to be concise and still get the message across. Our art is the very same.  Which details are necessary and which details are extraneous?  What can I cut out and not lose the focus on the art work all together? 

So if you are a budding artist, who has stumbled across that monkey mind that tells you "you better stop now, because you don't know what you are doing." Then you have likely bumped into a question that you can't quite answer.... yet.  That question being, what's wrong with this shape, how do I correct it, why doesn't this look the way I expect it to?  This curiosity is what will lead you to investigate what needs to change.  Perhaps it's the colour, or the tone, or the value that is off.  If you feel it's off, then it's off.  Your artistic eye is not pleased by what you have created so far.  That's it.  Get curious.  Try something new.  Pull out a new tool to evaluate your work so you can find the answer to the problem that you are trying to solve. 

Much like a piece of writing, when you read it, or have someone else read your work, the error often jumps out, then you have the point of focus to resolve that error. 

Our paintings are the same.  You do have the awareness to know where things are not working, you simply may not have the tool to figure out the answer.  It's just learning how to use a new tool. I would love to teach you the tools that I have learned to create beautiful paintings.  I have a course coming up that may be of interest to you.  Here is the link

If you have a desire to paint, then you can, of course, paint.  It's just learning.  

I hope this inspires you to keep going with your art and your mark making.  Leave me a comment below if you have any questions.  

Would you like to be a V.I.P. and receive updates and early access to new works? You can.  Click the link here to join my email list. 

I’ve never thought of myself as a strategist.  Let me tell you, up next to my brother Fred, who was a fabulous strategist, I could never measure up.  

What I’m realizing is that there is a lot of strategy involved in planning paintings. So the game of “Risk” just wasn’t my thing.  I don’t think I won a sing game against my brother.  But I digress. 

Strategy and preparation have been big on my mind this past weekend.  Currently I’m in the process of my next series focused entirely on Tulips.  It all begins with taking some photos, printing those photos, then selecting ones that I think would be great paintings. 

From the selected image, I then make some decisions about what size canvas I want to put the image on to.  In the case of the white tulip above, the bottom 1/3 of the image is not very interesting, so I will want to crop that out in the painting.  And the top right hand side is not very interested either.  So I will crop the image down to keep the centre of the flower as the focal point.  With all that cropping a vertical rectangle feels like the correct proportions to capture this image.  

Once the canvas is stretched I put several layers of medium on the raw canvas to be sure that the fibres are well sealed.  Oil paint is acidic and over time it will deteriorate the canvas if the surface isn’t prepared properly. 

The strategy and planning that goes into each canvas is an extension of my creative license.  Yes, there are some technical skills that need to be respected, but size, dimension, surface material etc are all up for me to choose.  I find this really exciting because I get to ‘feel’ my way through the decisions.  

In the example that I gave about the white tulip above, I get to decide on the cropping and composition, knowing my artist eye likes to keep the focal point on the most dramatic part of the scene.  I love that.  

I hope you have enjoyed this little glimpse into the studio.  Let me know if you have any questions by leaving a comment below. 

I can send you these blog posts to your email address if you want to be sure to not miss an episode.  Just leave me your email address by clicking the box below. You will receive Blog updates, and V.I.P. Access to new works.